Friday, May 15, 2015


When you take your passion for fragrances to the next level (remember the stages of a perfumista?) and develop your very own blend it is a road of no U-turns. The desire of creating more and more perfumes is in your heart already.

Last year I started to develop a 3rd fragrance of my own, also with Brazilian Natural Perfumer Ane Walsh. For this project the idea was to explore a theme that I find extraordinary which is the game of light and darkness (some perfumers call it chiaroscuro). By definition chiaroscuro in Italian means chiaro = clear, light + oscuro = dark, obscure. In art it means the arrangement or treatment of light and dark parts in a pictorial work of art. In perfumery it is a combination of olfactive notes that bring the notion of light and freshness with contrasting notes that bring the opposite idea. 

Chiaroscuro also means the interplay or contrast of dissimilar qualities, as a mood or character, that Jungians call it The Shadow. That was the concept that I wanted to explore.
The  shadow is the dark side of our personality. It is an unconscious aspect of the personality which the Ego (conscious) does not identify in itself. It was seen by Freud as mostly negative (primordial part inheritance of humanity, such as repressed violence and sexuality) ; while for Jungians a shadow can include everything that is outside the light of consciousness. Instinctive and irrational, shadow is also a source of creativity that appears in our dreams and visions bringing sometimes conflicted desires or intentions.

"...Jung also made the suggestion of there being more than one layer making up the shadow. The top layers contain the meaningful flow and manifestations of direct personal experiences. These are made unconscious in the individual by such things as the change of attention from one thing to another, simple forgetfulness, or a repression. Underneath these idiosyncratic layers, however, are the archetypes which form the psychic contents of all human experiences. Jung described this deeper layer as "a psychic activity which goes on independently of the conscious mind and is not dependent even on the upper layers of the unconscious—untouched, and perhaps untouchable—by personal experience" (Campbell, 1971). This bottom layer of the shadow is also what Jung referred to as the collective unconscious..." extracted from WIKIPEDIA.

Jung defined SHADOW as everything we do not know about ourselves, both dark and light. However, we get glimpses of these unknown shadow parts of ourselves when we project our shadow into the world or onto another. We can come to know and embrace our shadow through dreams, projections and by paying attention to the opposites that we attract or reject. 

The idea was to embrace the shadow by transforming it into a fragrance.

Chiaroscuro and the dark side of personalities have been very greatly explored by motion pictures. Conflicted anti-heroes with morally ambiguous identities shot in constant opposition of areas of light and dark best describes the film noir gender and a theme that I wished to explore in perfumery for quite a long time.
In terms of concept shadow and film noir were the starting point for the fragrance, but because Film Noir is too vintage, I decided to choose a neo noir movie to inspire both of us into creating a more defined concept.

Although The Black Dahlia is not my favorite Brian de Palma movie, it is a modern crime noir genre of movie (neo noir) that brought a display of characters and intersecting relationships that caught my attention. Just like every film noir, in The Black Dahlia you will see gangsters, policemen, couples developing sordid romances, a bit of drama, a bit of terror and nothing ever seems what it is. 
Women in this movie are head-spinning beauties. Scarlett Johansson plays Kay Lane, a Marylyn Monroe kind of blonde who seems to be the sweet, nice and decent. She dates a handsome cop called Lee (played by Aaron Eckhart), but wants his partner Bucky (played by even hotter Josh Harnett). She is a soft femme fatale marked by duplicity and sensuality, disguised into the house wife type. In the movie her good side is translated by her blond hair and the fact that she is always wearing soft creamy clothes, but the hidden predatory Kay shows herself to Bucky when he comes to protect her all evenings, when she stays alone while Lee is out investigating crimes. She undresses in front of Bucky and offers her half naked body making him confused and tormented by the fact that Lee is his partner. 
This game of seduction brings temptation and desire and leads Bucky to another femme fatale called Madeleine Linscott (played by stunning Hillary Swank). The character is also defined by a contrast of dissimilarities. Although coming from wealth and a notorious Hollywood family, she leads a questionable life as a bisexual who crawls into smokey bars and lesbian clubs looking for one night stands of both sexes. She is the real femme fatale in the movie. Glamorous and dangerous; seductive and repulsing she uses the vulnerable afflicted Bucky so her name won't be linked with the murder of The black Dahlia -  whom she had slept with because she thought they looked very alike (Madeleine was in a sort of egotrip). 
While Kay wears soft creamy fabrics, madeleine wears black with glam...
Than we have The Black Dahlia character (played by Mia Kirshner)... Once coming from a rather wealthy and respectful family, was arrested for underage drinking and became an actress of pornographic lesbian movies and the lover of many men. The beautiful young woman from Boston ended up brutally murderered in the case that became one of the most famous criminal cases : The Black Daliah Murder.


The Brief
My idea was to take both Kay and Madeleine personas to represent the light and dark facets of the fragrance. Go deeper into shadow with The Black Dahlia. 03 femme fatales in one fragrance. 05 dubious personalities (both Lee and Buck are also questionable) in one perfume!
I also wanted to explore meditation. Through meditation and the awakening of the third eye one can reach wholeness and accept that we all have a dark side. SHADOW and LIGHT become ONE.

Ane Walsh went nuts with the fact that I wanted to explore a neo-noir film and meditation and Jung's shadow; all in one fragrance. It was a challenging puzzle of many pieces to be brought all together in a composition that would be feminine, seductive and wearable. To help her set the mood, she watched the movie and I gave here a strange instruction: when mixing raw materials you have to listen to Miles Davis. Not any Miles Davis CD. The soundtrack of a  1958 French Film Noir - Ascenceur pour L'Échadfaud (Elevator to the Gallows in English). 
Ane also watched the documentary about the murder of Elizabeth Short (The Black Dahlia) and she extracted her joy and sadness; her mysterious life and her fragility.

The explanation is simple: Ascenteur pour L'Échadfaud is a French film noir bringing the story of criminal lovers that bought to movies a new way to look at a woman and also a unique and new solution of matching music and sound. Black Himalay also had to have a unique match of a smokey jazzy beat with champaca notes.

Now the mood of the fragrance was defined: Sensual, mysterious, feminine, slightly vintage, smokey, smooth, soft, head-spinning, ambiguous, chiaroscuro, neo-noir and  jazzy.

The name

I created the name of the fragrance that would reflect in 2 words the concept we were to explore - BLACK HIMALAY EDP.

Photo credit: + Q Perfume Blog

If La Signora and Ofir were all about irises, Black Himalay had to be about the second raw material I love the most: Champaca. 
I have always dreamed of having my very own blend of champaca fragrance. A creamy warm floral note with tea like facets and apricot undertones. Rich, luxurious, ultra sensual aroma with a floral-fruit note of magnolia.
(LA SIGNORA EDP and OFIR EDP  are my first very own blends)

Although I wanted the smokey atmosphere of Film Noires, I am not fond of incense notes, which are usually related to that effect...what to do?
I always loved Champaca by Ormonde Jayne and the way she combined green notes of bamboo and green tea. Tea echoed in my mind. I also recalled that Annick Ménardo had used black tea to give Black Bulgari its smokey-rubery personality with a very contemporary urban touch. That is what I wanted for my Black Himalay - a smokey touch of a city! I wanted a note that could also bring the notion of dark, black smokey nights, so I told Ane Walsh that I wanted the toasted smokey property of teas, that would enhance the already presented undertone tea notes of the champaca. Black tea from Syria and Earl Gray were added to play with  the Choya Loban.

The base had also to have darkness, but with a forest touch of oakmoss (the chypre touch that love so much!). 
Once darkness in the fragrance was settle for shadow, I needed the light to be constructed at the same time. Nagchampa, Kenian Myrrh and Siam wood would bring an Himalayan temple - meditation effect that I wanted in the fragrance without the hippie, indie touch. Although the fragrance also brought patchouli, I specifically told Ane to take a long distance from "woodstock-y notes". 

Many perfumer's, including Linda P. have used steamed-rice and tea as complementary notes of champaca. My Creamy layers came from a combination of Siam wood, champaca, and musks.

Also for light and freshness Ane build me a joyful citrusy opening with bergamot and neroli. 

I also wanted that over all these layers of darkness and seduction a golden vibration. A luxurious golden touch that had to be with the ambiguity of femme fatales. Femininity and allure masking less noble intentions.

Because this is a live perfume, somedays I feel it dark green and shadow-y; sometimes I feel it fresh, uplifting and slightly soapy. There are days that tea notes are enhanced; there are days that neroli notes are.
I think it depends on my conscience and sub-conscience: If I projecting shadow or not.

The bouquet was composed with a bed of champaca leafs, champaca flowers, gardenias and a bubblegum magnolias.

Clean and clear; dark and dirty, ethereal and doomed, the fragrance contains a breath of the Himalayas,  a golden glamour, a mysterious aura of the femme fatale persona of film noires, and most of all 


Notes composing the perfume:

Black tea from Syria, Earl Gray tincture, Italian bergamot & neroli, lime, *nardostachys jatamansi, champaca, magnolia and gardenia bouquet, white champa leaves, nagchampa, patchouli, ambrette, muskambrette, black  and white musks, oakmoss, Siam wood, *Choya Loban, Kenian myrrh.

* Nardostachys Jatamansi is a flowering plant from the honeysuckle family that grows in the eastern Himalayas.  Nard Oil or muskroot oil with sedative properties 

* Choya Loban is a destructive distillation of Boswellia serrata/Indian frankincense. It is slightly smokey, sweet resinous  with a balsamic-woody undertone. In Natural perfumery is usually used for Russian leather perfumes, forest bases, fougeres, men's colognes, leather accords, chypre, incense notes and temple perfumes.

Frankly I knew that Ane Walsh is a great perfumer and that she understands the way my mind works, but she pulled this one out in such an intriguing artistic way that I can only say one word: PERFECTION.


Dear Ane Walsh,

you are one of the most incredible perfumers I had the pleasure to enjoy the work. You are the person who can transform my wildest dreams into such beautiful artistic creations that fills my heart with joy, admiration and most of all HOPE for niche perfumery as an expression of liquid art.

I could not find more words to express such gratitude. I am not such a good writer as you are a perfumer my dearest friend ;-)

Much love and thank you so much,

Simone Shitrit

The fragrance is dedicated to HF who is definitely my shadow.

Sunday, April 12, 2015


"It takes two to tango"

Mona di Orio loved to explore light and darkness while creating her beautiful perfumes. 
This is exactly what happened to her brand. It faced dark moments with her passing away in 2011 leaving Jeroen heartbroken and with a challenge in his hands: how to perpetuate a brand that no longer has its perfumer. But just like Mona wanted, the light was still there: JEROEN OUDE SOGTOEN.
I get frustrated sometimes when I find only articles mentioning his loss and how the brand is fighting to stay alive. Yes she was the perfumer. Indeed important. But not less important is the work that Jeroen has been doing as the creative director of the brand since its launch in 2004.

A creative director is a vital person in a project of fragrance development. As the name says itself, it is the person who gives direction to where the project is going to go. In case of fragrances, creative directors (as myself  - yes, I am creating fragrances) will be the starting point of the fragrance. They will bring an idea, a story to be told. They will set the mood, the tone, the personality and the path where they want to explore that idea. Many or most of them even choose the ingredients, or at least the main ingredients to transform the idea into a scent. Creative director and perfumer will work alined to bring together their own talents, backgrounds, taste and passion and when that happens, beauty is created!
A creative director doesn't have to know what ingredients to combine to make a rose smell real, but they are the ones choosing if it will be a rock n' roll rose or a classic one.

Jeroen was leading Mona since the beginning and that is the reason why the brand can continue to amaze us with scented beauties. Proof to that is that both beautiful fragrances EAU ABSOLUE EDP and VIOLETTE FUMÉE EDP were launched after Mona had passed away. The second was entirely created for Jeroen (it was his signature scent) and it was about what he loves, his memories, his tastes and after her death he decided to share with her fans. IMO, the most beautiful of the brand.
At that time I wrote "Their affinity, their connection, their perceptions are forever in his heart, but he misses her everyday, and IMO sharing the ONLY fragrance that she made especially for him and that till this day he was wearing only in special occasions is his way of coping with this great personal loss. Sharing HIS personal fragrance means that he want all of us to have a bit of their friendship; he wants to form a different, but somehow a bond with all of us".

Photo credit: MONA DI ORIO

So we are now in 2015 and truth is, IMO, Jeroen is not fighting to keep the brand alive, he is simply continuing to lead the brand. Some people mentioned "he is somehow moving forward" - That makes no justice whatsoever to all the work he has been doing in the brand since 2004. It is not somehow. It is with the same passion, hard work, research, sense of style, sense of luxury, sense of fashion and an amazing feeling for business that he always had! You can already see magnificent changes in the design of the website and the fragrance bottles. Elegance is something that they both had and is now explored even in a more refined way.

He is bringing back perfumes that were discontinued - LUX EDP and NUIT NOIRE EDP and adding a new collection called monogram with one scent so far called MYRRH CASATI EDP bringing perfumer Melanie Leroux. All fragrances are presented in the beautiful new round perfume bottle concept for the 10th anniversary of the brand.

I am going to start with NUIT NOIRE EDP. The perfume although kept in a revamped flacon it is coming in its original formula. To those saying otherwise Jeroen already explained that freshness is the only difference from perfumes mixed 5 years ago. Aside from that it is indeed the original formula. It belongs to the signature collection which brings scents that are really expressing Mona's passion for art and chiaroscuro, therefore they come in the black bottle.

Perfumer: Mona di Orio
Relaunch: 2015
Gender: I would say it is more suitable for the feminine gender
Olfactive notes: Orange flower, cardamom, ginger, orange, frankincense, cinnamon, tuberose, sandalwood, cloves, cedarwood, amber, leather, musk, tonka.
Brand description: Nuit Noire elicits the steaming sensuality of a dark, sultry night in North Africa, exotic, spicy, and animalic. A strikingly carnal affair, the raw energy and heat at the start rises from floral notes colliding with woods, spices and leather, but as it is with lovers, this sophisticated floriental dries down richly intimate into a velvety seduction of spices.The honeyed floral sweetness of orange blossom, intense tuberose, and robust, spicy cardamom seduce each other and tease for dominance. The indolic quality of the orange blossom and tuberose pulses with a ripe lushness. Brighter notes of ginger and oranges arrive on the hot wind of this vibrant souk and bring with it an intense accord of incense, spices and woods from frankincense, cinnamon, cloves and cedar and sandalwood. Notes of animalistic musk, comforting leather, vanilla-sweet tonka and warm resinous amber develop into a creamy, velvet intoxication. This primal nocturnal journey becomes darker and spicier.

The very first time I felt it on my skin I recall thinking  "It smells naughty"! 

Truth is that naughty is never obvious. It requires skills.
Yes, NUIT NOIRE EDP is slightly indecent and far way misbehaving with carnal floriental notes, but it is not a mundane perfume. It also contains a virginal girlie powdery side wrapped with vibrant ginger orang-y bow. 
Somehow lust is not explicit, it comes also hidden in layers of gourmandise. Like a couple on a dance floor orange flower, cardamom, ginger, orange, cinnamon, cloves and the vanilla-sweet tonka are a mouth watering combination that take turns into velvety creamy naughty notes of musk, amber, leather, tuberose and sandalwood. 
It is a seductive dance of light and darkness; feminine youth and male lust.
I could not find anything more enlightening than a scene of Scent of a Woman with Al Pacino and Gabrielle Anwar dancing Por Una Cabeza by Carlos Gardel, when grumpy and blind Lieutenant Colonel Frank Slader leads beautiful, young Donna to the dance floor teaching her how to dance one of the most sexiest dances of all times: the Tango. Delicate flawless enlaced by roughness in one magical, sensitive and beautiful moment.

Also, if I had to put NUIT NOIRE EDP in one word, nobody better than Slader to define the fragrance:

Sample provided by Mona di Orio brand as usual (Jeroen and Henrike).

To order a 75ml/2.5 FL OZ fragrance go to MONA DI ORIO.
Click to find a RETAILER near you.

Monday, March 16, 2015


Photo credit: Viktoria Minya

Olfactive notes: grapefruit, lemon, clove, jasmine, honey, sandalwood, immortelle, labdanum, musk, tonka, Tokaji Aszú wine.

In 2013 Viktoria Minya was presented here by Hedonist in a journey to Paris and to the 18th Century French Novel Les Liasons Dangereuses by P.C. de Laclos. It was composed by an illuminated peachy nectar that was luxurious and lustful at the same time.

One year later she is presenting again another nectar, but this time it is a honeyed fragrance with Hungarian sweetest dessert wine Tokaji Aszú notes. The syrupy berries were infused with honey and immortelle to present a golden allure.

According to Viktoria, Eau de Hongrie EDP is a revisited version of the famous Eau de La Reine de Hongrie created in the 14th century. Eau de Hongrie as it is well known was the first alcohol-based perfume with rosemary and brandy, lavender, mint, sage, marjoram, costos, orange blossom and lemon.

Eau de Hongrie EDP like all honey nectar perfumes is very cheering, very spring-y, waxy-syrupy with a refreshing naivité. A gourmand flowery scent that puts a huge smile on the face. It is rich, without being sticky. It is naive without being childish.

Truth is that wearing this perfume I feel like dancing. I feel a little bit gypsy!

Other beautiful nectars

Sunday, March 15, 2015


Photo Credit:+ Q PERFUME BLOG

I haven't been quite active in my blog not only due to lack of time, but also because I haven't been presented to fragrances that I find worth writing about.
Since my last article about niche I have been feeling really disappointed with perfumery in general. Too many dull creations, too many blogs writing about them...too much of everything.

Last week I had a huge surprise when finally my newest PUREDISTANCE creation arrived.

The brand presents a dream in white & gold; a flow of happiness. An intimate escape from harsh reality. And that is exactly what it is. The harsh reality of 1000s of niche fragrances one copying another, one using more OUD than the other and finally an ESCAPE. I am happy to see that among so much olfactive stupidity someone finally presents something that it is worth buying. (I know many perfumers are hating me right now or shouting who she thinks she is...but that is the freedom of speech that millions are fighting for these days. In my blog, I say what I feel. Simple as that!*)

How beautifully crafted WHITE is. JAN you excelled yourself with this one!!
No wonder it is another Antoine Lie creation. He has also composed BLACK for the brand, which is a very sensual perfume. White is a mood transforming perfume that makes you fall in love.

Photo credit: PUREDISTANCE website

Following the trend of looking for local exclusive ingredients and their uniqueness PUREDISTANCE is presenting the following composition of Olfactive notes: Rose de Mai (France), Orris (Italy), Patchouli (Indonesia), Bergamot (Italy), Vetyver (Haiti), Tonka beans (Venezuela), Sandalwood (Mysore) and musk.  Concentration: 38% perfume oil

WHITE PERFUME EXTRAIT is a complementary fragrance to BLACK IMO. The sensuality continues to flow in a subtle, gentle and smooth provoking way.
At the very first whiff you understand what the brand is about. Happiness is a smile that does not show gum. It has style.
PUREDISTANCE is 100% niche because it reflects JAN E. WOS' personality: PUREDISTANCE is JAN and JAN is PUREDISTANCE. Impeccable manners with a sincere humor. 

The fragrance itself has an opening that brings a whiff of greens evolving a beautiful real rose. In my last article I mentioned the smell of real roses remember...well, PUREDISTANCE would never think of using something else in its compositions.
After a few minutes the creaminess of sandalwood will be rounded with Tonka unfolding the sensuality to the perfume shaped by a luxurious orris note. Vetyver brings a smokiness and a rare bitter chocolate undertone which is not so easy to find these days. Most vetyvers are simply earthy and dirty.

It is a delicious gourmet perfume that reminds me of another one that provoked as much as this one: Le 6 by Ida Delam. While Le 6 is a pure into the panties perfume, WHITE is more of an invitation. Just as BLACK, it won't press you against a wall and penetrate you right there. It will whisper something very charming with an understated wish to penetrate you. ;-)

Photo credit: Lucien Clergue

WHITE could be easily understood as the olfactive interpretation of French photographer Lucien Clergue black and white nudes.

Truth is that WHITE is not so has shades of BLACK.

*sample was provided by the brand as many or most of the perfumes are, and yet many of them I don't review because I didn't relate to them in a positive way. I keep an objective view even being friends with some of the brand owners. I am not paid or encouraged to write articles.


Photo Credit: + Q Perfume Blog

Christopher Brosius is one of these amazing artists that moves you in such a way that you don't know if you get inspired by him to explore the world of scents everywhere you go, or lock yourself in his studio and proclaim eternal faith to him and to him only.
His fragrances are not just perfumes you buy and wear. They are experiences. They are smellscapes contained in vials that he carefully designed for his clients. His clients. I have to say that his fragrances are not for everybody. A CB client needs to be as creative as he is, as curious as he is, smart as he is, and most of all needs to love Nature.
If you don't give a special importance to your dreams, your inspirations, your way of expressing emotions and how you relate to the world around you, CB is not for you.
Expect to cry, to smile, to wonder, to be happy or even angry when smelling his vials. 

I had a project to review his fragrances since I met Patrick at Elements in 2013. Patrick worked at CB I Hate Perfume in Williamsburg - Brooklyn and he was generous enough to provide me 38 samples of his collections. I haven't been in touch with him since so I don't know if he is still working for the brand. I hope he is!

Visiting the shop that year I purchased AT THE BEACH 1966 which I have already reviewed here.

I will start with the CB Reinvention Series which is a collection of seven fragrances, which I have all the samples.

"The History of Perfume is old as Mankind itself. Over the millennia, the quest for perfume has expanded civilizations, changed cultures and brought the discovery of new worlds. But like the study of any History, exploring the history of perfume can only be done from our modern point of view. It must be reinvented in order to be understood. The world changes and we change along with it. We cannot truly comprehend how previous generations thought or felt let alone realize just how new and provocative certain perfumes must have been when first introduced to the world. They too must be reinvented in the light of today. All the perfumes in this collection explore some aspect of the History of Perfume. Some are recreated as closely as possible to what they may have been. Others are unique combinations of fragrance materials both traditional & modern – these bring “up to date” a classic concept of traditional perfumery". (extracted from CB I HATE PERFUME website)

In #201 CB93 Christopher Brosius wanted to reinvent the Eau de Cologne.
For this designed fragrance he used a combination of natural essential oils of Galbanum, Bourbon Geranium, Holy Basil, Siberian Fir, Scotch Pine, Moroccan Cedar, Candlewood, Sandalwood and Frankincense.   
Yes, it does smell natural, so if you are not into Natural Perfumery this fragrance is not for you. Slightly green, slightly flowery and slightly woody... it is a delicate smell. 

Also a natural perfume, CB's patchouli fragrance is a blend of 5 different patchouli sources and black pepper, with a woody base. Said to be warm, subtle and ever changing...Let's just say that it is not the best patchouli perfume among many others in the market which I have reviewed here in 2011, in an article called Patchouli Fragrances.
Tom Ford launched in 2014 his Patchouli Absolu fragrance as an ode to the iconic raw material, reinventing it and giving it a vanguardist approach. Sounds nice, but CB has done that already in 2005. I think that for those who study perfumery it will be interesting to compare the differences of perceptions of what means a contemporary patchouli almost 10 years later. 

I listed this fragrance back in 2012 in an article about Violets Fragrances and it is one of the most amazing violet perfumes I have ever encountered.Designed with notes of Elemi, Violet leafs absolute, Rosewood, Mahogany and Russian leather. Since Violet Absolute is no longer available for its extremely expensive price, CB had to recreate it. It is probably the smell of Heaven, when you are involved in a cloud of love and kindness. It is the smell of a bunch of little children with sparkling eyes surrounding a huge birthday cake. It is the smell of NOTHING MATTERS BUT MY VERY OWN HAPPINESS! 
How to start describing this precious elixir? 

It is one of the gentlest perfumes I have ever tried. It contains such a positive aura that you feel like taking a bath of it EVERY morning before starting the day. It is perfectly crafted and I would be this man's slave if he promised me a constant supply of this perfume. Yes, that is what is wicket about his perfume. Once you wear the smell of heaven, kindness, love and sparkling children's eyes you get to be so irresistible that lack sex would never be an issue anymore. Any person with a nose will want to smell your skin for hours, so careful with the seductive power of this perfume.
Once the kindness fades away you will be involved in a very sensual leather note that urges you to kiss and be touched.

If I was to describe this fragrance in a short way I would say it is a Victoria Secret's Angel Top Model. heavenly and sexy as hell!

Victoria Secret's Wing Model Candice Swanepoel

#204 TEA ROSE 
Simple and extremely beautiful, this fragrance combines real Moroccan Rose Absolute with Indian black tea.
The result is I was never a rose perfume fan but I must admit that there are 2 fragrances that I call redemption: CB I HATE PERFUME ROSE TEA and The Different Company ROSE POIVREÉ. I love both for the same reason: they are real roses. While in TDC rose comes with pink peppercorns and coriander, here you will find the perfect blend of black tea and rose. It is feminine, classy, extremely gentle and REAL. I loved this fragrance so much and I identified with CB in terms of loving or not loving rose perfumes. I know exactly what he meant.

To be continued... 

The Fragrances: 

#201/CB93/FALL 2005
#215/CBMUSK/SUMMER 2004 

You can order this collection in his website by clicking HERE

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