Friday, July 17, 2015



Launch: 2015 – Customized Edition
Perfumer: Ane Walsh
Olfactive Director: Simone Shitrit


Olfactive Notes of: Cedrat, white grapefruit, mimosa, genet, tagetes, osmanthus, roman chamomile, calendula, fabriana imbricata (pichi), adesnemia boroinoide (paramela), honey & pollen tincture, ambergris, musk algazal.

Olfactive description: Yellow-ish radiant, sweet, waxy-honeyed, slightly fruity, hay-ish and herbaceous, with a balsamic, warm leathery, animalic - mineral undertone. Unique, sensual and slightly inebriating.


Continuing to work on discrepancies in perfumery, this time I wanted to work the concept of incongruity, in such a way that we would not have either contrast nor opposition.

“To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys... But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world...” Antoine de Saint-Exupéry (1900-1944)

The Little Prince character represents the open-mindedness of children, as the prince is an explorer who restlessly asks questions and is willing to engage the invisible secret mysteries of the universe. The beauty of Saint-Exupéry's poetic writing goes into such details that in the original French version of the book he has never used the word adult. Instead, he calls adults "les grandes personnes" (the big people). What he meant with that was to say that what matters is the attitude of a person and not his actual age. In that sense children can act like "grandes personnes" and adults can also see the word as little children. Which brought me to an intriguing question that has been challenging me for a while: Do we all have a little prince (child) inside of us?

Continuing to explore psyche as inspiration the brief that I shared with perfumer Ane Walsh was the thought of creating a fragrance that would evoke this child that we have inside of us and what it means to have one when you have already grown. 

Having an inner child means that you are constantly questioning and opened minded without limiting your perspectives. You are aware of and sensitive to the mysteries and beauty of the world. 

But what happens when you let your inner child run your life?

“…The inner child comprises and potentiates these positive qualities. But it also holds our accumulated childhood hurts, traumas, fears and angers. "Grown-ups" are convinced they have successfully outgrown, jettisoned, and left this child and its emotional baggage long behind. But this is far from the truth. In fact, these so-called grown-ups or adults are unwittingly being constantly influenced or covertly controlled by this unconscious inner child. For many, it is not an adult self-directing their lives, but rather an emotionally wounded inner child inhabiting an adult body - A five-year-old running around in a fifty-year-old frame. It is a hurt, angry, fearful little boy or girl calling the shots, making adult decisions. A boy or girl being sent out into the world to do a man's or woman's job… And then we wonder why our relationships fall apart. Why we feel so anxious. Afraid. Insecure. Inferior. Small. Lost. Lonely. But think about it: How else would any child feel having to fend for themselves in an apparently adult world?" (Stephen Diamond, PH. D., edited)

In a nutshell: if the little child does not have an adult making the rules of the game there will be a lot of suffering. I asked the perfumer to stay away of tantrums! Suffering was not the aspect I wanted to explore because I wanted to come up with something that I would like to wear; that brings out beauty, not pain. For that matter I had to detail the brief in a more personal level and explain to her that it all came from the fact that a friend of mine once called me little prince and that I also have a little friend that needs my constant attention and that the fragrance had to be about him...and me:


Hervé is a little boy born in the northwest part of France called La Bretagne (French Brittany), part of the six Celtic nations. In the Celtic language his name means warrior.

To bring the aura of Britanny I asked Ane Walsh to compose a bouquet with mimosas and genet. Mimosas brought a soft, delicate, sweet, powdery floral note with a suave green honeyed undertone, while genet added a hay-honey-like scent with a tenacious herbal tone. To add a marine sensation of a coast line ambergris was added. 

Photo credit: + Q Perfume Blog

Following the thoughts of the little prince's friend the fox, in the excerpt of the book cited above, Hervé is not just like a hundred thousand other little boys. He is a unique little warrior who has tamed me. He is my inner child, my imaginary friend. 

The inner child embodies innocence and openness; love and joy; creativity and curiosity; wonder and awe; appreciation and devotion; beauty and playfulness; forgiveness and unity; determination and strength; gentleness and enthusiasm.

Hervé has all that. He inspires me to create; he challenges my curiosity; he is the fine-tuning of my appreciation and determination; he brings unity to my thoughts. Hervé is the little child in me and he is responsible for what wonders and awes me and this is exactly what I wanted the be the core of this perfume.

In that line of thought the fragrance had to be about The Little Prince’s idea of grandes personnes and what Hervé represents to me. The name LE PETIT HERVÉ EDP was my idea of a merger of both.

The funny thing is that this composition not only had to have a scented composition of La Bretagne, but it also had to have the golden locks of the little prince and myself (I also have them!). Hervé, my imaginary friend, has red hair and freckles. 


Calendulas were added to compose an orange yellow-ish bouquet, adding a warm creamy texture (like redheads' skin) with an herbal undertone. Tagetes (marigolds) and a bright crisp, sweet-herbal balsamic chamomile with its apple notes brought the essence of little children and a fruity sprinkle. Honey and pollen tincture were not only the final golden touch but they added a spring-y solar aura to the fragrance.

René Decartes (1596–1650)

“Passion may be a friendly or eager interest in or admiration for a proposal, cause, discovery, or activity or love – to a feeling of unusual excitement, enthusiasm or compelling emotion, a positive affinity or love, towards a subject. 

The origin of the word passion is found in the Latin word "passio" which means suffering. On the surface, the word “passion” can stir emotions in us inspiring, motivating and elevating us to live life at a more exciting fulfilling level. But just as the core of an apple cannot be separate from the apple itself, “suffering” is always at the core of passion. We cannot have one without the other. In that sense could Hervé inspire passion without making me suffer? 

Both Hervé and myself are solar souls. So I wanted this aura for the very first whiff. I also wanted the notion of freshness because both children and passions have in its core the freshness of a new adventure, the excitement for life. Cedrat and white grapefruit were added to give this freshness that only citrusy notes can give, but also to balance the sweetness of the fragrance with a zesty varnish. Paramela notes were also added to bring a sensation of well being and fluidity.


So far the idea was a solar fresh orange yellow-ish Breton composition which brought me back to the question of incongruity (the proposal mentioned at the beginning of this post) and other questions that came along: is it possible to create a fragrance that is slightly carnal and yet, take you to a spring/summer trip to the blooming coasts and still make sense? And if we can't have passion without suffering how can I leave pain out of the brief?

The term passion is particularly used in the context of romance or sexual desire though it generally implies a deeper or more encompassing emotionFor that matter the perfume had to contain both wonder and awe, but in a different tone  - the tone of passion. Ane Walsh surprised me by adding Fabriana Imbricata, a note that is said to have inebriating effects when inhaled. By the way, I learned that Paramela smell is also very attractive. Both notes combined with ambergris and musk algazal ended up developing a rather disturbing stimuli. Something that it is kinda difficult to explain. Provocative and instigating.  Sensuality with a fleshy-warm-sweet kinky touch was added, bringing the sensation of touching skin, of instinctive sex, of something rather chemical (chemistry of attraction). Osmanthus came to compose the flowery bouquet with a sweet, warm, rich, honeyed leathery note and an elegant animalic undertone. Fact is that smelling this perfume on my skin makes me blush.

So, answering my very own question, as incongruent as it seemed, passion, desire, wonder, awe, the coast of La Bretagne and my imaginary friend were brought altogether to compose one fragrance. 
LE PETIT HERVÉ EDP ended up being artistically conceived and unpredictable exuberant as passions are. 


Cole Porter was an all-time talented composer and song writer. In 1936 he composed a song about the incongruity of passions and in 1946 Frank Sinatra brought a beautiful romantic tone to the lyrics. 

Wearing LE PETIT HERVÉ EDP puts a huge smile on my face and it feels as silky as Sinatra's version of I've got you under my skin.   It makes me travel to La Bretagne.  It fells like lying on the warm sand. It brings me closer to my inner imaginary friend Hervé.

I've got you under my skin
I've got you deep in the heart of me
So deep in my heart that you're really a part of me
I've got you under my skin

I've tried so not to give in
I've said to myself this affair never will go so well
But why should I try to resist, when baby I know so well
I've got you under my skin

I'd sacrifice anything come what might
For the sake of having you near
In spite of a warning voice that comes in the night
And repeats, repeats in my ear

Don't you know little fool, you never can win
Use your mentality, wake up to reality
But each time I do, just the thought of you
Makes me stop before I begin
'Cause I've got you under my skin

Friday, May 15, 2015


When you take your passion for fragrances to the next level (remember the stages of a perfumista?) and develop your very own blend it is a road of no U-turns. The desire of creating more and more perfumes is in your heart already.

Last year I started to develop a 3rd fragrance of my own, also with Brazilian Natural Perfumer Ane Walsh. For this project the idea was to explore a theme that I find extraordinary which is the game of light and darkness (some perfumers call it chiaroscuro). By definition chiaroscuro in Italian means chiaro = clear, light + oscuro = dark, obscure. In art it means the arrangement or treatment of light and dark parts in a pictorial work of art. In perfumery it is a combination of olfactive notes that bring the notion of light and freshness with contrasting notes that bring the opposite idea. 

Chiaroscuro also means the interplay or contrast of dissimilar qualities, as a mood or character, that Jungians call it The Shadow. That was the concept that I wanted to explore.
The  shadow is the dark side of our personality. It is an unconscious aspect of the personality which the Ego (conscious) does not identify in itself. It was seen by Freud as mostly negative (primordial part inheritance of humanity, such as repressed violence and sexuality) ; while for Jungians a shadow can include everything that is outside the light of consciousness. Instinctive and irrational, shadow is also a source of creativity that appears in our dreams and visions bringing sometimes conflicted desires or intentions.

"...Jung also made the suggestion of there being more than one layer making up the shadow. The top layers contain the meaningful flow and manifestations of direct personal experiences. These are made unconscious in the individual by such things as the change of attention from one thing to another, simple forgetfulness, or a repression. Underneath these idiosyncratic layers, however, are the archetypes which form the psychic contents of all human experiences. Jung described this deeper layer as "a psychic activity which goes on independently of the conscious mind and is not dependent even on the upper layers of the unconscious—untouched, and perhaps untouchable—by personal experience" (Campbell, 1971). This bottom layer of the shadow is also what Jung referred to as the collective unconscious..." extracted from WIKIPEDIA.

Jung defined SHADOW as everything we do not know about ourselves, both dark and light. However, we get glimpses of these unknown shadow parts of ourselves when we project our shadow into the world or onto another. We can come to know and embrace our shadow through dreams, projections and by paying attention to the opposites that we attract or reject. 

The idea was to embrace the shadow by transforming it into a fragrance.

Chiaroscuro and the dark side of personalities have been very greatly explored by motion pictures. Conflicted anti-heroes with morally ambiguous identities shot in constant opposition of areas of light and dark best describes the film noir gender and a theme that I wished to explore in perfumery for quite a long time.
In terms of concept shadow and film noir were the starting point for the fragrance, but because Film Noir is too vintage, I decided to choose a neo noir movie to inspire both of us into creating a more defined concept.

Although The Black Dahlia is not my favorite Brian de Palma movie, it is a modern crime noir genre of movie (neo noir) that brought a display of characters and intersecting relationships that caught my attention. Just like every film noir, in The Black Dahlia you will see gangsters, policemen, couples developing sordid romances, a bit of drama, a bit of terror and nothing ever seems what it is. 
Women in this movie are head-spinning beauties. Scarlett Johansson plays Kay Lane, a Marylyn Monroe kind of blonde who seems to be the sweet, nice and decent. She dates a handsome cop called Lee (played by Aaron Eckhart), but wants his partner Bucky (played by even hotter Josh Harnett). She is a soft femme fatale marked by duplicity and sensuality, disguised into the house wife type. In the movie her good side is translated by her blond hair and the fact that she is always wearing soft creamy clothes, but the hidden predatory Kay shows herself to Bucky when he comes to protect her all evenings, when she stays alone while Lee is out investigating crimes. She undresses in front of Bucky and offers her half naked body making him confused and tormented by the fact that Lee is his partner. 
This game of seduction brings temptation and desire and leads Bucky to another femme fatale called Madeleine Linscott (played by stunning Hillary Swank). The character is also defined by a contrast of dissimilarities. Although coming from wealth and a notorious Hollywood family, she leads a questionable life as a bisexual who crawls into smokey bars and lesbian clubs looking for one night stands of both sexes. She is the real femme fatale in the movie. Glamorous and dangerous; seductive and repulsing she uses the vulnerable afflicted Bucky so her name won't be linked with the murder of The black Dahlia -  whom she had slept with because she thought they looked very alike (Madeleine was in a sort of egotrip). 
While Kay wears soft creamy fabrics, madeleine wears black with glam...
Than we have The Black Dahlia character (played by Mia Kirshner)... Once coming from a rather wealthy and respectful family, was arrested for underage drinking and became an actress of pornographic lesbian movies and the lover of many men. The beautiful young woman from Boston ended up brutally murderered in the case that became one of the most famous criminal cases : The Black Daliah Murder.


The Brief
My idea was to take both Kay and Madeleine personas to represent the light and dark facets of the fragrance. Go deeper into shadow with The Black Dahlia. 03 femme fatales in one fragrance. 05 dubious personalities (both Lee and Buck are also questionable) in one perfume!
I also wanted to explore meditation. Through meditation and the awakening of the third eye one can reach wholeness and accept that we all have a dark side. SHADOW and LIGHT become ONE.

Ane Walsh went nuts with the fact that I wanted to explore a neo-noir film and meditation and Jung's shadow; all in one fragrance. It was a challenging puzzle of many pieces to be brought all together in a composition that would be feminine, seductive and wearable. To help her set the mood, she watched the movie and I gave here a strange instruction: when mixing raw materials you have to listen to Miles Davis. Not any Miles Davis CD. The soundtrack of a  1958 French Film Noir - Ascenceur pour L'Échadfaud (Elevator to the Gallows in English). 
Ane also watched the documentary about the murder of Elizabeth Short (The Black Dahlia) and she extracted her joy and sadness; her mysterious life and her fragility.

The explanation is simple: Ascenteur pour L'Échadfaud is a French film noir bringing the story of criminal lovers that bought to movies a new way to look at a woman and also a unique and new solution of matching music and sound. Black Himalay also had to have a unique match of a smokey jazzy beat with champaca notes.

Now the mood of the fragrance was defined: Sensual, mysterious, feminine, slightly vintage, smokey, smooth, soft, head-spinning, ambiguous, chiaroscuro, neo-noir and  jazzy.

The name

I created the name of the fragrance that would reflect in 2 words the concept we were to explore - BLACK HIMALAY EDP.

Photo credit: + Q Perfume Blog

If La Signora and Ofir were all about irises, Black Himalay had to be about the second raw material I love the most: Champaca. 
I have always dreamed of having my very own blend of champaca fragrance. A creamy warm floral note with tea like facets and apricot undertones. Rich, luxurious, ultra sensual aroma with a floral-fruit note of magnolia.
(LA SIGNORA EDP and OFIR EDP  are my first very own blends)

Although I wanted the smokey atmosphere of Film Noires, I am not fond of incense notes, which are usually related to that effect...what to do?
I always loved Champaca by Ormonde Jayne and the way she combined green notes of bamboo and green tea. Tea echoed in my mind. I also recalled that Annick Ménardo had used black tea to give Black Bulgari its smokey-rubery personality with a very contemporary urban touch. That is what I wanted for my Black Himalay - a smokey touch of a city! I wanted a note that could also bring the notion of dark, black smokey nights, so I told Ane Walsh that I wanted the toasted smokey property of teas, that would enhance the already presented undertone tea notes of the champaca. Black tea from Syria and Earl Gray were added to play with  the Choya Loban.

The base had also to have darkness, but with a forest touch of oakmoss (the chypre touch that love so much!). 
Once darkness in the fragrance was settle for shadow, I needed the light to be constructed at the same time. Nagchampa, Kenian Myrrh and Siam wood would bring an Himalayan temple - meditation effect that I wanted in the fragrance without the hippie, indie touch. Although the fragrance also brought patchouli, I specifically told Ane to take a long distance from "woodstock-y notes". 

Many perfumer's, including Linda P. have used steamed-rice and tea as complementary notes of champaca. My Creamy layers came from a combination of Siam wood, champaca, and musks.

Also for light and freshness Ane build me a joyful citrusy opening with bergamot and neroli. 

I also wanted that over all these layers of darkness and seduction a golden vibration. A luxurious golden touch that had to be with the ambiguity of femme fatales. Femininity and allure masking less noble intentions.

Because this is a live perfume, somedays I feel it dark green and shadow-y; sometimes I feel it fresh, uplifting and slightly soapy. There are days that tea notes are enhanced; there are days that neroli notes are.
I think it depends on my conscience and sub-conscience: If I projecting shadow or not.

The bouquet was composed with a bed of champaca leafs, champaca flowers, gardenias and a bubblegum magnolias.

Clean and clear; dark and dirty, ethereal and doomed, the fragrance contains a breath of the Himalayas,  a golden glamour, a mysterious aura of the femme fatale persona of film noires, and most of all 


Notes composing the perfume:

Black tea from Syria, Earl Gray tincture, Italian bergamot & neroli, lime, *nardostachys jatamansi, champaca, magnolia and gardenia bouquet, white champa leaves, nagchampa, patchouli, ambrette, muskambrette, black  and white musks, oakmoss, Siam wood, *Choya Loban, Kenian myrrh.

* Nardostachys Jatamansi is a flowering plant from the honeysuckle family that grows in the eastern Himalayas.  Nard Oil or muskroot oil with sedative properties 

* Choya Loban is a destructive distillation of Boswellia serrata/Indian frankincense. It is slightly smokey, sweet resinous  with a balsamic-woody undertone. In Natural perfumery is usually used for Russian leather perfumes, forest bases, fougeres, men's colognes, leather accords, chypre, incense notes and temple perfumes.

Frankly I knew that Ane Walsh is a great perfumer and that she understands the way my mind works, but she pulled this one out in such an intriguing artistic way that I can only say one word: PERFECTION.


Dear Ane Walsh,

you are one of the most incredible perfumers I had the pleasure to enjoy the work. You are the person who can transform my wildest dreams into such beautiful artistic creations that fills my heart with joy, admiration and most of all HOPE for niche perfumery as an expression of liquid art.

I could not find more words to express such gratitude. I am not such a good writer as you are a perfumer my dearest friend ;-)

Much love and thank you so much,

Simone Shitrit

The fragrance is dedicated to HF who is definitely my shadow.

Sunday, April 12, 2015


"It takes two to tango"

Mona di Orio loved to explore light and darkness while creating her beautiful perfumes. 
This is exactly what happened to her brand. It faced dark moments with her passing away in 2011 leaving Jeroen heartbroken and with a challenge in his hands: how to perpetuate a brand that no longer has its perfumer. But just like Mona wanted, the light was still there: JEROEN OUDE SOGTOEN.
I get frustrated sometimes when I find only articles mentioning his loss and how the brand is fighting to stay alive. Yes she was the perfumer. Indeed important. But not less important is the work that Jeroen has been doing as the creative director of the brand since its launch in 2004.

A creative director is a vital person in a project of fragrance development. As the name says itself, it is the person who gives direction to where the project is going to go. In case of fragrances, creative directors (as myself  - yes, I am creating fragrances) will be the starting point of the fragrance. They will bring an idea, a story to be told. They will set the mood, the tone, the personality and the path where they want to explore that idea. Many or most of them even choose the ingredients, or at least the main ingredients to transform the idea into a scent. Creative director and perfumer will work alined to bring together their own talents, backgrounds, taste and passion and when that happens, beauty is created!
A creative director doesn't have to know what ingredients to combine to make a rose smell real, but they are the ones choosing if it will be a rock n' roll rose or a classic one.

Jeroen was leading Mona since the beginning and that is the reason why the brand can continue to amaze us with scented beauties. Proof to that is that both beautiful fragrances EAU ABSOLUE EDP and VIOLETTE FUMÉE EDP were launched after Mona had passed away. The second was entirely created for Jeroen (it was his signature scent) and it was about what he loves, his memories, his tastes and after her death he decided to share with her fans. IMO, the most beautiful of the brand.
At that time I wrote "Their affinity, their connection, their perceptions are forever in his heart, but he misses her everyday, and IMO sharing the ONLY fragrance that she made especially for him and that till this day he was wearing only in special occasions is his way of coping with this great personal loss. Sharing HIS personal fragrance means that he want all of us to have a bit of their friendship; he wants to form a different, but somehow a bond with all of us".

Photo credit: MONA DI ORIO

So we are now in 2015 and truth is, IMO, Jeroen is not fighting to keep the brand alive, he is simply continuing to lead the brand. Some people mentioned "he is somehow moving forward" - That makes no justice whatsoever to all the work he has been doing in the brand since 2004. It is not somehow. It is with the same passion, hard work, research, sense of style, sense of luxury, sense of fashion and an amazing feeling for business that he always had! You can already see magnificent changes in the design of the website and the fragrance bottles. Elegance is something that they both had and is now explored even in a more refined way.

He is bringing back perfumes that were discontinued - LUX EDP and NUIT NOIRE EDP and adding a new collection called monogram with one scent so far called MYRRH CASATI EDP bringing perfumer Melanie Leroux. All fragrances are presented in the beautiful new round perfume bottle concept for the 10th anniversary of the brand.

I am going to start with NUIT NOIRE EDP. The perfume although kept in a revamped flacon it is coming in its original formula. To those saying otherwise Jeroen already explained that freshness is the only difference from perfumes mixed 5 years ago. Aside from that it is indeed the original formula. It belongs to the signature collection which brings scents that are really expressing Mona's passion for art and chiaroscuro, therefore they come in the black bottle.

Perfumer: Mona di Orio
Relaunch: 2015
Gender: I would say it is more suitable for the feminine gender
Olfactive notes: Orange flower, cardamom, ginger, orange, frankincense, cinnamon, tuberose, sandalwood, cloves, cedarwood, amber, leather, musk, tonka.
Brand description: Nuit Noire elicits the steaming sensuality of a dark, sultry night in North Africa, exotic, spicy, and animalic. A strikingly carnal affair, the raw energy and heat at the start rises from floral notes colliding with woods, spices and leather, but as it is with lovers, this sophisticated floriental dries down richly intimate into a velvety seduction of spices.The honeyed floral sweetness of orange blossom, intense tuberose, and robust, spicy cardamom seduce each other and tease for dominance. The indolic quality of the orange blossom and tuberose pulses with a ripe lushness. Brighter notes of ginger and oranges arrive on the hot wind of this vibrant souk and bring with it an intense accord of incense, spices and woods from frankincense, cinnamon, cloves and cedar and sandalwood. Notes of animalistic musk, comforting leather, vanilla-sweet tonka and warm resinous amber develop into a creamy, velvet intoxication. This primal nocturnal journey becomes darker and spicier.

The very first time I felt it on my skin I recall thinking  "It smells naughty"! 

Truth is that naughty is never obvious. It requires skills.
Yes, NUIT NOIRE EDP is slightly indecent and far way misbehaving with carnal floriental notes, but it is not a mundane perfume. It also contains a virginal girlie powdery side wrapped with vibrant ginger orang-y bow. 
Somehow lust is not explicit, it comes also hidden in layers of gourmandise. Like a couple on a dance floor orange flower, cardamom, ginger, orange, cinnamon, cloves and the vanilla-sweet tonka are a mouth watering combination that take turns into velvety creamy naughty notes of musk, amber, leather, tuberose and sandalwood. 
It is a seductive dance of light and darkness; feminine youth and male lust.
I could not find anything more enlightening than a scene of Scent of a Woman with Al Pacino and Gabrielle Anwar dancing Por Una Cabeza by Carlos Gardel, when grumpy and blind Lieutenant Colonel Frank Slader leads beautiful, young Donna to the dance floor teaching her how to dance one of the most sexiest dances of all times: the Tango. Delicate flawless enlaced by roughness in one magical, sensitive and beautiful moment.

Also, if I had to put NUIT NOIRE EDP in one word, nobody better than Slader to define the fragrance:

Sample provided by Mona di Orio brand as usual (Jeroen and Henrike).

To order a 75ml/2.5 FL OZ fragrance go to MONA DI ORIO.
Click to find a RETAILER near you.

Monday, March 16, 2015


Photo credit: Viktoria Minya

Olfactive notes: grapefruit, lemon, clove, jasmine, honey, sandalwood, immortelle, labdanum, musk, tonka, Tokaji Aszú wine.

In 2013 Viktoria Minya was presented here by Hedonist in a journey to Paris and to the 18th Century French Novel Les Liasons Dangereuses by P.C. de Laclos. It was composed by an illuminated peachy nectar that was luxurious and lustful at the same time.

One year later she is presenting again another nectar, but this time it is a honeyed fragrance with Hungarian sweetest dessert wine Tokaji Aszú notes. The syrupy berries were infused with honey and immortelle to present a golden allure.

According to Viktoria, Eau de Hongrie EDP is a revisited version of the famous Eau de La Reine de Hongrie created in the 14th century. Eau de Hongrie as it is well known was the first alcohol-based perfume with rosemary and brandy, lavender, mint, sage, marjoram, costos, orange blossom and lemon.

Eau de Hongrie EDP like all honey nectar perfumes is very cheering, very spring-y, waxy-syrupy with a refreshing naivité. A gourmand flowery scent that puts a huge smile on the face. It is rich, without being sticky. It is naive without being childish.

Truth is that wearing this perfume I feel like dancing. I feel a little bit gypsy!

Other beautiful nectars

Sunday, March 15, 2015


Photo Credit:+ Q PERFUME BLOG

I haven't been quite active in my blog not only due to lack of time, but also because I haven't been presented to fragrances that I find worth writing about.
Since my last article about niche I have been feeling really disappointed with perfumery in general. Too many dull creations, too many blogs writing about them...too much of everything.

Last week I had a huge surprise when finally my newest PUREDISTANCE creation arrived.

The brand presents a dream in white & gold; a flow of happiness. An intimate escape from harsh reality. And that is exactly what it is. The harsh reality of 1000s of niche fragrances one copying another, one using more OUD than the other and finally an ESCAPE. I am happy to see that among so much olfactive stupidity someone finally presents something that it is worth buying. (I know many perfumers are hating me right now or shouting who she thinks she is...but that is the freedom of speech that millions are fighting for these days. In my blog, I say what I feel. Simple as that!*)

How beautifully crafted WHITE is. JAN you excelled yourself with this one!!
No wonder it is another Antoine Lie creation. He has also composed BLACK for the brand, which is a very sensual perfume. White is a mood transforming perfume that makes you fall in love.

Photo credit: PUREDISTANCE website

Following the trend of looking for local exclusive ingredients and their uniqueness PUREDISTANCE is presenting the following composition of Olfactive notes: Rose de Mai (France), Orris (Italy), Patchouli (Indonesia), Bergamot (Italy), Vetyver (Haiti), Tonka beans (Venezuela), Sandalwood (Mysore) and musk.  Concentration: 38% perfume oil

WHITE PERFUME EXTRAIT is a complementary fragrance to BLACK IMO. The sensuality continues to flow in a subtle, gentle and smooth provoking way.
At the very first whiff you understand what the brand is about. Happiness is a smile that does not show gum. It has style.
PUREDISTANCE is 100% niche because it reflects JAN E. WOS' personality: PUREDISTANCE is JAN and JAN is PUREDISTANCE. Impeccable manners with a sincere humor. 

The fragrance itself has an opening that brings a whiff of greens evolving a beautiful real rose. In my last article I mentioned the smell of real roses remember...well, PUREDISTANCE would never think of using something else in its compositions.
After a few minutes the creaminess of sandalwood will be rounded with Tonka unfolding the sensuality to the perfume shaped by a luxurious orris note. Vetyver brings a smokiness and a rare bitter chocolate undertone which is not so easy to find these days. Most vetyvers are simply earthy and dirty.

It is a delicious gourmet perfume that reminds me of another one that provoked as much as this one: Le 6 by Ida Delam. While Le 6 is a pure into the panties perfume, WHITE is more of an invitation. Just as BLACK, it won't press you against a wall and penetrate you right there. It will whisper something very charming with an understated wish to penetrate you. ;-)

Photo credit: Lucien Clergue

WHITE could be easily understood as the olfactive interpretation of French photographer Lucien Clergue black and white nudes.

Truth is that WHITE is not so has shades of BLACK.

*sample was provided by the brand as many or most of the perfumes are, and yet many of them I don't review because I didn't relate to them in a positive way. I keep an objective view even being friends with some of the brand owners. I am not paid or encouraged to write articles.
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